Robert Picardo 'Thought It Was a Mistake' When He Was Asked to Return to

Robert Picardo reprises his Star Trek: Voyager role as The Doctor in the new live-action Starfleet Academy series

People Robert Picardo in 'Star Trek: Voyager'Credit: Paramount+

NEED TO KNOW

  • The new series is set 1,000 years after the actor was last part of the franchise

  • Picardo tells PEOPLE that returning to the Star Trek universe was "very unexpected"

Robert Picardo admits that, 25 years after he last played the holographic Doctor onStar Trek: Voyager, he was stunned when he got the call to return to the beloved sci-fi franchise for the new series,Star Trek: Starfleet Academy.

"I would say [it was] very unexpected — I thought it was a mistake!" Picardo tells PEOPLE exclusively.

The 72-year-old reveals that after he reprised his role as The Doctor — in voice only — for a 2024 episode of the animated, kid-skewing seriesStar Trek: Prodigy, his animation agent got word that a different set of producers in the franchise wanted to meet with him. Picardo assumed it was for another voice role or cameo until he learned more about the gig in a follow-up call.

"They called back and said, 'No, it's live-action,'" he recalls. "And then I wasreallyconfused! And then my agent, my theatrical agent, [said], 'Yeah, they want to talk to you about being in the newStar Trekseries.' "

"Those first three or four weeks waiting for that meeting were really the strangest, that part of knowing they're interested but not knowing what it was," he says. "And then they laid out the idea they had for the character and how he would fit in and what he would be doing in the future: teaching cadets at a newly reopened Starfleet Academy."

Robert Picardo in 'Star Trek: Starfleet Academy'Credit: Paramount+

Picardo had originally played the fan-favorite character — an increasingly self-aware, independent and somewhat egotistical Emergency Medical Hologram who provided a fresh lens on both humanity and technology while snarkily treating the crew of the starshipVoyager— for seven seasons between 1995 and 2001. However, with the new role, he wouldn't just be picking up The Doctor a quarter-century later; he was also thrown an unexpected acting challenge as the 2026 series was set nearly 1,000 years in the future.

"It's mind-blowing," he confesses. "I said to them, 'Wait a minute, you mean I have 800 years of digital memory — perfect clarity — so that an event that happened 792 years and 112 days and this many hours and minutes, that moment was not only recorded in here, but it was as clear as something that happened yesterday?' [They said], 'Yep, that's what it means.' I said, 'Alright, I'll start trying to wrap my mind around that now!' "

What struck him most about taking a quantum leap forward in time was how it would affect The Doctor's worldview. "Working side by side with 32 generations of organic colleagues growing old and dying around you, how does that influence your desire to form personal relationships?" he questions.

"I thought that on the surface, he would seem the same, at the same pace, the same attitude, the same snarkiness when he didn't feel he was being respected, the same 'I like feeling that I'm the smartest intelligence in the room,' all of those things," Picardo tells PEOPLE. "But that, when push came to shove, he wasn't very interested in going deeper with any individual. I wasn't excited to be your pal, you know what I mean? Because what's the end game for me?"

"So there was this kind of push-pull between being like The Doctor once he had grown more human-like, but with the sort of careful delineation of how far he wanted to go beyond cordiality in his relationships," he adds.

Robert Picardo in 'Star Trek: Voyager'Credit: Paramount+

That emotional distance has been challenged on the new Paramount+ series by young SAM (Kerrice Brooks), another photonic being enrolled in Starfleet Academy, who longs for mentorship from The Doctor, who finally lowers his defenses.

"The Doctor, I think, likes feeling unique, but also a protege who is giving him more attention and interest that he clearly wants to return," Picardo explains. "He's both intrigued and annoyed by her."

AsStarfleet Academyhas been streaming new episodes each week, Picardo has been enjoying watching the always-passionate fanbase debate the various merits of the show — a phenomenon he's been long accustomed to.

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"It takes every newStar Trekshow two years or so to kind of hit its stride," he says. "And until then, people complain about what kind of female Captain Janeway should be. 'Do we really need a female captain in the mid-90s?' I mean, we were 25 years ahead ofDoctor Who,having the first female doctor! 25 years! And of course, Kate [Mulgrew] really won over all of the initial critics to the idea of taking this traditionally male role. And since then, of course, we've had Captain Michael Burnham, we've had Michelle Yeoh's character, [Captain Georgiou] and now Holly Hunter."

"I've been really lucky to be in shows that are led by women —China Beach,even before that, the Vietnam drama I was in where the point of view character was an Army nurse played by Dana Delaney," he adds. "So I feel like I've had this special luck to be on shows where women, female characters, really carried the show or were the dynamos behind the show."

Robert Picardo in 'Star Trek: Voyager'Credit: Paramount+

Playing the holographic character has also given Picardo a unique perspective on a current, much-buzzed-about topic: AI.

"Obviously, we were ahead of the game onStar Trekwhen we did all of those episodes about core fears of artificial intelligence, when The Doctor's program was hijacked by another entity and his core programming of serving and being a healer was taken over so that he could now be threatening and even lethal," he says. "All of those things that have been very much in the public imagination the last three years, we were dealing with 30 years ago."

Picardo recalls once receiving a call from someone getting a PhD at Harvard, specializing in researching medical applications for AI, wanting to interview him for a book. "I said, 'You know, I'm only an actor,'" he recalls.

But the physician explained that, as a young viewer ofVoyager, he was captivated by the concept of an Emergency Medical Hologram programmed with the entirety of medical knowledge.

"But then he said, 'Watching your journey on the show, I came to realize that the knowledge is not enough. You need the human interface, you need the bedside manner. You need to mediate the information to a patient in order to have that bond and give them, so they have trust in you,'" Picardo says. "It is interesting for me as a bystander, as an actor who played this artificial intelligence physician, to now see so many of these concerns play out now and feel like, if only because of my role, I've been thinking about them for decades."

Robert Picardo in 'Star Trek: Starfleet Academy'Credit: Miller Mobley/Paramount+

He's also been keenly aware of the rate at which technology advances. "Star Trekhas always been in the game of dreaming up something and then science tries to catch up with that dream because of all the young minds that were watching it at the time and because it just seemed impossibly cool if we could do that," he says. "I remember my little computer on my desk in Sickbay when we premiered seemed so impossibly small. And then, within a year and a half of our premiere, it was too big! PowerBooks came out and suddenly it was like, 'No, this looks like a joke.' "

"Star Trekis a great predictor, I think, of technologies, and it also encourages us to want to develop the science and engineering to accomplish them," he says.

As a result, inspired by the originalTrekseries' actress Nichelle Nichols' recruitment of women and minorities into the space program in the '70s and '80s, Picardo has "tried to take on that mantle with my relationship with the Planetary Society for more than 25 years," supporting funding for NASA's space science budget and sitting on its executive board.

It's just one aspect of the way being a part ofStar Trekhas impacted him, he says. "It changes your life in so many other ways through the people you meet who likeStar Trekor have been inspired byStar Trekas young people and grown into these amazing people that you meet and they giveyousome credit!" he tells PEOPLE.

"I mean, to sit on stage with five men who walked on the moon, just to be up there with them because, at least to the audience, we were connected somehow," he marvels. "So that connection between imagining what our future in space is and actually encouraging the work to be done now in order to get there is something that I have treasured in my life."

Read the original article onPeople

Robert Picardo 'Thought It Was a Mistake' When He Was Asked to Return to “Star Trek” Universe“ ”25 Years Later (Exclusive)

Robert Picardo reprises his Star Trek: Voyager role as The Doctor in the new live-action Starfleet Academy series ...
Trump to give Saturday morning address amid Iran strikes, Axios reports

WASHINGTON, Feb 28 (Reuters) - President ‌Donald ‌Trump is expected ​to give an address on ‌Saturday ⁠morning as the U.S. ⁠carries out ​strikes ​in ​Iran, Axios ‌reported, citing a U.S. official.

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The White House did ‌not ​immediately ​respond ​to ‌a request for ​comment.

(Reporting ​by Jasper Ward ​in ‌Washington; editing ​by Scott ​Malone)

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Jimmy Fallon

Jimmy Fallon recently mocked the meeting between Donald Trump and Netflix CEO Ted Sarandos with the help of a skit he shared online. Fallon took the shots after it was recently reported that Sarandos visited the White House to chat with the US President regarding the Netflix-Warner Bros deal. However, a recent report revealed that Netflix has bowed out of the deal.

Jimmy Fallon showcases skit of Donald Trump and Ted Sarandos meetup

Jimmy Fallon recently shared a clip of a skit from his talk show, throwing shade at the meeting between Donald Trump and Netflix CEO Ted Sarandos.

Fallon started by talking about New York City mayor Zohran Mamdani meeting Trump and then shifted to the topic of Sarandos and the President. He stated, "Speaking of visits to Washington, today Netflix CEO Ted Sarandos went to the White House to discuss the streamer's potential deal with Warner Bros."

He added that they managed to get an audio from the meeting and showcased the skit.

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It starts with a voice pretending to be Sarandos saying, "Thank you for agreeing to meet with me, Mr. President." Furthermore, another voice pretending to be Trump replies by asking, "Of course. I love Netflix. You guys make "Is It Cake," right?" referring to the show which features artists making unique cakes in the shape of handbags, machines, and more.

The duo then go back-and-forth in the skit in which Trump keeps asking Sarandos if the items he is listing are cakes or not. Trumo keeps on repeating whether the item he is pointing to is a cake. On the other hand, Sarandos replies to him, stating that the items are not what he assumes them to be.

The clip ends with Sarandos asserting that the item he is pointing out as cake is the Epstein files, to which Trump adds, "I'm gonna eat 'em!" Although Sarandos mentions they are not cake, the President states, "I know! Help me finish them, quick!!"

Originally reported by Ishita Verma onMandatory

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Reuters

Talks scheduled for next week will be critical to determining whether the sides ‌can move ​towards an ​agreement ​to end ‌the war, the report ​said.

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Reuters ​could not immediately verify the report.

(Reporting ​by ‌Mihika Sharma in ​Bengaluru; Editing by ​Kate Mayberry)

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Adisson Rae

Addison Raeconsistently pushes the boundaries of fashion with her style, and her latest look in a structural micro minidress truly defies imagination. Embracing a bold, body-conscious silhouette, she donned an avant-garde creation that felt more like a wearable sculpture than a conventional dress. The official Instagram page for Perfect Magazine posted a snap of her look as the cover of a carousel posted on February 26.

Addison Rae stuns in structural Jean Paul Gaultier micro minidress for Perfect Magazine shoot

Addison Rae donned a micro minidress for her Perfect Magazine photoshoot. The dress played with proportion, balance, and negative space. Rendered in red-and-white horizontal stripes, the look nodded subtly to nautical influences, a long-standing Gaultier signature. The cropped, sculptural upper portion framed the body with dramatic curves and cutouts, creating an almost gravity-defying effect. Rather than draping traditionally, the fabric held its shape, forming bold contours that extended away from the torso.

The skirt mirrored the exaggerated structure, curving away from the hips in a rounded, three-dimensional silhouette. The rigid, inflated appearance challenged expectations of how fabric should move and sit on the body, transforming the dress into a statement about form as much as fashion. Despite its experimental design, the piece remained strikingly balanced. It highlighted Rae's figure while maintaining a sense of playful artistry. The dress is Look 16 fromJean Paul Gaultier's Spring 2026 Ready-to-Wear collection.

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The "Diet Pepsi" singer kept her accessories minimal to avoid distracting from the dress. The dramatic torso cutout spotlighted her belly button piercing. She wore her red hair in soft, tousled waves with a side part. She posed with one hand on her waist and another behind her head. Her makeup was simple, with defined eyebrows, rosy blush, and a muted, dusty lipshade.

In the second photo of the carousel, the songstress wore theChloe Ruched Rose-Print Bodysuit. It is a look from the brand's Summer 2026 Ready-to-Wear collection. The neckline features a panel of water-resistant lace as well as a bow detail. The piece is currently retailing for $950.

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Deaths on a boat off Cuba spotlight Florida anti-government groups

MIAMI (AP) — Astolen boat, with 10 people aboard, loaded with weapons, departs the Florida Keys but gunfire erupts before reaching Cuba. The explanation, according to the Cuban government, is the men aboard were terrorists who wanted to infiltrate the country.

Associated Press The dock where a 1981 Pro Line boat was reported stolen from the Florida Keys Friday, Feb. 27, 2026. (AP Photo/Marta Lavandier) Cuba's Deputy Foreign Minister Carlos Fernandez de Cossio walks to give a declaration about a deadly boating shooting in Cuba waters, in Havana, Thursday, Feb. 26, 2026. (AP Photo/Ramon Espinosa)

Cuba Boat Shooting

The fatal shooting broke out Wednesday amid heightened tensions between the U.S. and Cuba. The ouster of Venezuelan President Nicolás Maduro has led the Trump administration to take a more aggressive stance toward the country's longstanding ideological nemesis in Latin America. It shines fresh attention on the deep-rooted freedom movement among Cuban exiles in south Florida, including some fringe elements who have long sought a violent overthrow of the island's communist leadership.

Armed raids, provocative publicity stunts and protests blurring the lines of legality stretch back decades in the Florida straits. Many of them are led by hard-liner exiles, some who fought in Fidel Castro's guerrilla army that took power in 1959 before breaking ranks when the popular leader converted Cuba into a Soviet satellite.

But such confrontational tactics have faded since the Cold War, leaving many in Miami to speculate the armed incursion was a fabrication of Cuba's intelligence agencies.

"Cuban Americans today are, whether on the left or on the right, really focused on trying to influence U.S. policy rather than thinking that somehow paramilitary action by small groups are gonna overthrow the Cuban government," said William LeoGrande, an American University government professor who specializes in Cuba.

The shooting left four dead and many questions. Cuba's government said most of the people on the boat were violent criminals. U.S. Secretary of State Marco Rubio, who rose to prominence surrounded by the Cuban exile politics of Miami, was quick to cast doubt on the Cuban account, saying that the U.S. would investigate what he described as a "highly unusual" sea shootout.

Late Friday, top officials with Cuba's Ministry of the Interior unveiled theitems they said were aboard the boat, including a dozen high-powered weapons and more than 12,800 pieces of ammunition.

Anti-Cuban government groups ebb and flow

The counter-revolutionary groups — with names like Alpha 66 and Omega 7 — were always small in number but were at their strongest in the 1970s and '80s. Their influence receded as the Reagan administration arrested their leaders for violent attacks on U.S. soil, like an assassination plot targeting Castro during his 1979 visit to the United Nations and the shooting death a year later of a Cuban diplomat in New York.

Antonio Tang joined Alpha 66 shortly after fleeing Cuba and going into exile in Canada in 1981.

He trained in weapons and guerrilla tactics with the volunteer group at a camp in the Everglades called Rumbo Sur — Direction South. Many of its actions were over before they started, he said.

"We were kind of amateurs — and no match for the Cuban military and interior ministry," said Tang. "They always knew in advance what we were doing. Many folks ended up in jail."

Ernesto Díaz, deputy secretary general of Alpha 66, described the 10 men as martyrs.

"It is an act of compassion for a Cuban people who are suffering," Diaz, 86, said. "It was a sacrifice that has demonstrated the nobility and sensitivity towards freedom in Cuba."

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Cuban attempts to co-opt groups

Former Cuban intelligence officer Enrique Garcia said a well-funded Cuban intelligence department — called Q-2 — spent decades co-opting armed resistance groups. In some cases, Cuban agents would fund weapon purchases and drive unsuspecting exiles into plots.

Agents infiltrated Brothers to the Rescue, which lost four members in 1996 when Cuban fighter jets shot down their airplanes in the Florida straits.

"This strategy —seemingly still in place— sought to portray the Cuban exile community as extremist and link the U.S. government and agencies to such activities," said Garcia, who defected to the U.S. in 1989. "The U.S. intelligence community is aware and must have documented in its archives that this was a permanent modus operandi of the Cuban intelligence service."

Garcia said he can't remember any covert act of the sort Cuba has denounced in at least three decades.

He also finds the timing of the attack suspicious. The Trump administration has asserted almost unprecedented pressure on Havana to open its economy and relinquish almost seven decades of single-party rule.

Families give an incomplete picture

Marina Luz Padron, whose ex-husband, Hector Cruz Correa, was among those reported killed, appealed for privacy as the family mourns. She described her ex-husband as an excellent father to their 4-year-old child, who still hasn't been told about his fate.

"If he went to Cuba it was because he wanted freedom for his country," Padron told The Associated Press in a brief interview.

Other family members spoke to Spanish language influencers in Miami describing their loved ones as peaceful and far removed from what Cuban officials denounced as a "terrorist" incursion.

Ibrahim Bosch, president of the Republican Party of Cuba, another exile group, said that Michel Ortega Casanova, one of those killed, was the leader of his party in Tampa for a while until he requested to be replaced so he could spend more time to with his family.

"He was an excellent person, very hardworking, very dedicated to his family," Bosch said. "He always had the hope of freedom for Cuba."

But Florida resident Misael Ortega Casanova said his brother — an American citizen who has lived in the U.S. for more than 20 years and still agonizes over the suffering that Cubans endure — was on an "obsessive and diabolical" quest for Cuba's freedom.

"They became so obsessed that they didn't think about the consequences nor their own lives," Misael told The Associated Press.

Catalini reported from Morrisville, Pennsylvania.

Deaths on a boat off Cuba spotlight Florida anti-government groups

MIAMI (AP) — Astolen boat, with 10 people aboard, loaded with weapons, departs the Florida Keys but gunfire erupts befor...
The 10 Worst Movie Trilogies Ranked by Quality

A good movie trilogy usually comes down to a few simple things. You need a story that was meant to unfold in three parts, characters who actually grow from the first film to the last, and a clear ending. Each movie should feel complete on its own while still advancing the bigger story.

Family Minded

The problem is that this is harder than it sounds. Too often, when the first film succeeds, the studio sees the numbers, and suddenly the goal shifts from telling a tight story to extending a brand. That is usually when the cracks begin to show.

Jurassic World

Credit: IMDb

Seeing a fully operational dinosaur park for the first time is exciting. That idea alone generated much of the early buzz around Jurassic World. But as the trilogy unfolded between 2015 and 2022, the focus shifted more toward bigger action and global chaos than tight suspense. Escaped dinosaurs became a familiar pattern, and the cautionary edge that made Jurassic Park resonate faded into the background.

The Hobbit

Credit: IMDb

The trilogy began with a lot of goodwill. Peter Jackson had already delivered The Lord of the Rings, so An Unexpected Journey benefited from that trust. The first film relies on strong performances and the comfort of returning to Middle-earth, which helps smooth over early pacing issues. However, stretching a single book into nearly nine hours created obvious strain. Heavy CGI and extended battle sequences in the later films start to feel inflated as well.

The Hangover

Credit: IMDb

The first The Hangover was unexpected and sharp, which is why it dominated 2009. The Las Vegas setting, the mystery of what happened the night before, and the escalating chaos all clicked at once. The sequels moved quickly to capitalize on that success, but they relied heavily on the same missing-friend structure and pushed the shock humor further each time. By the time The Hangover Part III abandoned the original formula, the series felt scattered and less focused.

Alvin and the Chipmunks

Credit: IMDb

In 2007, hordes of families turned out for Alvin and the Chipmunks. The live-action format brought the animated characters back to life and quickly launched a franchise. The problem was substance. Each sequel relied more heavily on pop song covers and exaggerated slapstick. The box-office numbers held up for a while, but the critical response declined with each louder, increasingly repetitive installment aimed squarely at young audiences.

Divergent

Credit: IMDb

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Divergent is a reminder of how quickly franchise momentum can evaporate. When it launched in 2014, it tapped into a strong teen audience already invested in dystopian storytelling. The first film generated interest, but each subsequent sequel drew less enthusiasm. By the time Allegiant arrived, box office returns and audience engagement had dropped enough to derail the planned finale. The series ended without properly completing its story.

Fifty Shades

Credit: IMDb

Financial success does not equal creative growth, as this series shows. In 2015, Fifty Shades of Grey turned controversy into massive ticket sales. Critics focused on stiff acting and awkward dialogue, but the profits guaranteed sequels. Fifty Shades Darker and Fifty Shades Freed repeated the same relationship beats.

365 Days

Credit: IMDb

Streaming algorithms amplified attention in 2020, and 365 Days quickly dominated Netflix's worldwide charts. The plot centered on coercive romance, which critics flagged immediately. Its two sequels, released within two years, followed a similar structure and received a weaker reception.

The Human Centipede

Credit: IMDb

The Human Centipede became infamous in 2009 through word of mouth. Its shock value drove attention, but craft remained minimal. The sequels repeated the premise with meta commentary and prison settings, which kept the franchise's notoriety alive while offering little improvement in storytelling quality across three films released over six years under the same director.

In the Name of the King

Credit: IMDb

When Uwe Boll released In the Name of the King in 2007, many fantasy fans were already skeptical. Casting Jason Statham drew some initial curiosity, but uneven writing and execution quickly undercut that interest. The follow-up films shifted direction and replaced the lead, which only made the series feel more disconnected. By the time the trilogy wrapped in 2013, it had earned a reputation as one of the weaker fantasy runs of that era.

Atlas Shrugged

Credit: IMDb

At the bottom of this ranking is a rare case in which nearly every creative and production choice worked against the trilogy. Dividing Ayn Rand's novel into three films sounded ambitious, but the execution doomed Atlas Shrugged from the start in 2011. Each installment swapped casts and directors, which fractured continuity. The ideology overwhelmed character development, and by 2014, the whole thing ended after years of attempts to be relevant failed to translate effectively onscreen.

The 10 Worst Movie Trilogies Ranked by Quality

A good movie trilogy usually comes down to a few simple things. You need a story that was meant to unfold in three parts...

 

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