The Cost of Being Different

There is a cost to being different. Trust me, I’ve paid it in full, with interest.

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When I walked into Apple Music as the Head of Global Consumer Marketing, I didn’t blend in. My hair was big. My personality was bigger. My wardrobe didn’t whisper “tech exec.”

Once,BuzzFeedcalledme “the coolest person to ever go onstage at an Apple event.” Flattery aside, it taught me that being different draws attention, but it also draws fire. People will celebrate you publicly, only to turn around and question your celebration. They’ll call you bold until your boldness makes them uncomfortable.

Still, I wouldn’t change a thing. Because while being different is expensive, it is worth every penny.

Many of us spend our professional lives trying to fit into systems that were never built for us. We dilute our ideas to make others comfortable, we hand over control of our reputations to colleagues, bosses, the “industry.” While it may be easier in the short term to go with the flow, it is a losing strategy in the long term.

Here’s what I mean.

The long-term cost of being different

Being different comes with a price tag that compounds over time. It’s the pay gap that never quite closes, the promotion ceiling you can’t break through, and the work you drive forward that somehow earns applause for someone else. When the credit doesn’t follow the contribution, neither do the accolades, the awards, or the visibility that turn a career into a platform. And those things matter because they’re what lead to the next chapter: the book deal, the speaking circuit, the “industry expert” label that gives you freedom and leverage later on.

So the long-term cost of being different isn’t just about what you’re paid today; it’s about the opportunities you’re quietly denied tomorrow.

The long-term benefit of being unapologetically yourself is that you stop waiting for permission to matter. There’s a deep wellness in that—authenticity, pride, the quiet confidence that comes from knowing you didn’t shrink to fit someone else’s idea of success. But today, it’s more than personal fulfillment; it’s strategy. With social media, podcasts, and personal platforms, you don’t have to wait for a magazine feature or a “Top 100” list to validate your brilliance; you can build the proof yourself, in public.

The real power is in self-validation: advocating for your ideas, your work, your voice, until your reputation carries its own weight. That’s exactly how the bets pay off over time. Those choices, rooted in conviction and visibility, stack up. Suddenly, the story you were brave enough to tell about yourself back then becomes the reason you’re thriving in the present.

Owning your difference

Somewhere along the way, we decided that using “I” was arrogant. That saying “I did this” or “I built that” was somehow selfish. I don’t mind being called “self-centered” because who else am I supposed to center? It’s not arrogance to own your achievements; it’s accountability.

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That being said, it’s also important to form your own circle of cheerleaders. Not the polite kind who clap quietly from the sidelines, but the kind who will stand on tables and shout your name. In business, we often talk about a “personal board of directors.” I love that idea, but I think we should go further. Build your hype team. The people who know your wins and aren’t afraid to broadcast them. Because the truth is, no one succeeds alone. You have to give others the script if you want them to sing your song.

Now, I know what some of you are thinking: “Boz, isn’t self-promotion risky?” Sure, if you do it poorly. But if you do it authentically—if you’re promoting what’s real, what you’ve earned—then it’s not arrogance, it’s clarity.

Self-promotion isn’t just about visibility; it’s about trust. When you actively tell your own story, you become a credible source, an authentic practitioner rather than a theorist. People believe in those who live what they preach. When you establish yourself as an expert in your field, you not only build your personal brand–you add tremendous value to the organizations and brands associated with you.

I’ve seen this firsthand throughout my career. During my time at Pepsi, as the Head of Music and Entertainment Marketing, I deliberately put myself out there, sharing my wins and celebrating the innovative work my team and I were doing. That self-promotion wasn’t about ego; it was about control. Because of that visibility, Billboard named me one of the top women in music. And when Beats Music (soon to become Apple Music) went searching for a head of marketing, I wasn’t a hidden gem waiting to be discovered. I was the obvious choice, because I had already proven I was among the best in innovative, unconventional marketing, able to bend the rules in a traditional corporate structure just enough to create magic without breaking the system.

Had I played it safe or stayed quiet at Pepsi and Apple, I might never have been considered for future C-suite roles at Uber, Endeavor, and Netflix. My willingness to promote my work and to stand in my difference made me visible. It made me trusted.

That visibility opened doors I never imagined. In my first episode ofThe Real Housewives of Beverly Hills, I shared my career highlights—not out of vanity, but to show who I am and how hard I’ve worked. This led to the opportunity for me to co-host NBC’sOn Brandwith Jimmy Fallon. It was a risky, untested show that required more than on-camera presence. It demanded real marketing expertise. My self-promotion built that bridge.

That’s why I always say: control your narrative, or someone else will.

The real cost, and reward, of being different

Not everyone will cheer you on. The more visible you become, the more others project their insecurities onto your confidence. They may call you “too much,” “too loud,” or “too ambitious.” I’ve heard it all. And every time, I’m reminded: that’s exactly what got me here.

Being different is costly. It can be lonely. It can be exhausting. But it also gives you something invaluable: ownership. When you stand in your difference and tell your story before someone else does, you gain control over the narrative.

So, if you’re reading this and wondering when to start taking credit for your own magic, the answer is simple: right now. Not six months from now. Not after your next promotion. Not after someone gives you permission.

Because here’s the truth: nobody’s coming to save your reputation. If you hand that power to someone else, don’t be surprised when they fumble it.

Being different comes with a cost. But conformity? That’s even more expensive—and it pays no dividends.

The Cost of Being Different

There is a cost to being different. Trust me, I’ve paid it in full, with interest. When I walked into Apple Music as the Head of ...
From A Morning Coffee To Entire Filmographies – 15 ‘Choose One, Lose The Rest’ Scenarios

You make choices all the time. What to have for dinner, what to watch, how to spend your free time, when to go to bed… These decisions feel easy because you can always change your mind, try something new, or come back to what you left behind. But what if that wasn’t the case? What if every choice you made was final, and you lost the other options forever?

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From A Morning Coffee To Entire Filmographies – 15 ‘Choose One, Lose The Rest’ Scenarios

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Emily Blunt Admits She Was 'Quite Scared' of Meryl Streep While Making“ The Devil Wears Prada”

Emily Blunt revealed Meryl Streep stayed in character as Miranda Priestly, creating an intimidating atmosphere on set

People Meryl Streep and Emily Blunt in The Devil Wears PradaCredit: Barry Wetcher/20th Century Fox/Kobal/Shutterstock

NEED TO KNOW

  • Streep admitted using a “slight remove” to embody authority, even skipping cast bonding moments during filming

  • Streep admits that she would often hear her castmates laughing without her

Emily Blunt admitted that Meryl Streep was a little too “in the zone” duringThe Devil Wears Prada.

The cast ofThe Devil Wears Pradaand its sequel,Anne Hathaway,Streep,BluntandStanley Tuccisat down for an exclusiveSiriusXM Front Rowhosted by Andy Cohen.

Cohen, 57, askedThe Quiet Placeactress if Streep, 76, was intimidating to work with.

“I mean, on the first one, I was quite scared because I feel like you were in a zone,” she said to Streep.

Streep chimed in with “Oh, yeah. I was in that zone.”

Blunt shared, “She was in a Miranda zone,” making reference to the fictional editor in chief of Runway Magazine, character Miranda Priestly.

The cast of the Devil Wears Prada 2Credit: Dia Dipasupil/Getty

“Not impenetrable, but we could come up and tell you a funny story, but you wouldn't do your extraordinary laugh that I normally heard,” Blunt noted.

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Cohen then asked Streep if it was hard being “method” to which she replied, “No.”

“The first three days I went and hung around the camera with the director, you know, and then we'd go on to do the scene and I'd go, you know, this and they'd go... it was just like a remove. A slight remove. The authority, the thing,” Streep shared.

TheMamma Mia!actress brought up that she recently spoke with actress and director Greta Gerwig about the issue of being too method.

“She was saying the same thing. You know, they kind of don't want you at the cast party, right? It's like you have to have just a little bit of a barrier to feel like the boss and to make it—I don't know what it was, but it worked. When I went back and was miserable in my trailer and heard them all in the makeup trailer and they're all—I could hear from far away—they're all having a great time, you know,” Streep explained.

Both Streep and Cohen quipped “It's lonely at the top.”

The sequel, in theaters May 1, follows Priestly “as she navigates her career amid the decline of traditional magazine publishing and as she faces off against Blunt's character, now a high-powered executive for a luxury group with advertising dollars that Priestly desperately needs.”

Read the original article onPeople

Emily Blunt Admits She Was 'Quite Scared' of Meryl Streep While Making“ The Devil Wears Prada”

Emily Blunt revealed Meryl Streep stayed in character as Miranda Priestly, creating an intimidating atmosphere on set NEED TO KNO...
Mom Captures Moment Her 5-Year-Old Daughter with Social Anxiety Sees Her at Birthday Party (Exclusive)

Maygen Steed shares how her daughter Paisley's social anxiety developed after her type 1 diabetes diagnosis at age 2

People Maygen Steed's daughter, PaisleyCredit: Courtesy of Maygen Steed

NEED TO KNOW

  • The mother of one went viral after posting a video comforting Paisley during her birthday party when she began to feel overwhelmed

  • Maygen encourages Paisley to try new things while respecting her boundaries and creating a safe, supportive environment

For young kids, birthday parties often mean presents, sweet treats and fun games — but they also come with a lot of attention, which can be overwhelming no matter their age.

When 5-year-old Paisley Steed stood beside her birthday cake as her friends and family sang "Happy Birthday," she looked into the crowd for a source of comfort — and quickly found it in her mother, Maygen Steed.

Steed captured the moment on camera and laterposted it to TikTok, captioned, "My sweet girl who struggles with social anxiety having a moment at her party. Locking eyes with mama because everyone singing was too much & I am her safe space."

The video went viral, amassing nearly 1 million views, and now Maygen talks to PEOPLE about how she has learned to help her daughter in moments Paisley feels most anxious.

Maygen says Paisley has struggled with anxiety ever since beingdiagnosed with type 1 diabetes at 2 years old.

"She really started showing signs of anxiety in social situations when she began wearing her devices, such as her Dexcom and Omnipod," the 30-year-old shares. "Kids her age were naturally curious and would touch them or stare, which made her uncomfortable and self-conscious."

"It's amazing that my child can be incredibly outgoing in small groups of people, but when there are more than seven to 10 people — even family she has known her whole life — she gets very shy and doesn't want eyes on her."

Maygen Steed with her daughter, PaisleyCredit: Courtesy of Maygen Steed

Maygen notes that Paisley has done three years of Pre-K "at a small school and has never once gotten up on stage to get her diploma."

"Last year she cried and refused to go on stage, so the award was just handed to her after," she says. "I did not shame her for this and told her it's okay to feel that way and that she still deserved her award."

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While last Christmas Paisley was "so excited" to be part of the holiday program and "worked so hard" to memorize the songs, Maygen says she made it "through the first song before her little face crumbled and she began to cry."

"I ran up to the stage and grabbed her. You could see it on her face when she realized how many people were there and when it made her feel too overwhelmed," the mother of one, who works as a special education teacher in Paris, Texas, shares.

Paisley Steed on EasterCredit: Courtesy of Maygen Steed

Maygen, who also struggles with anxiety and anxiety-induced OCD, notes that she doesn't "talk about anxiety in front of [Paisley]," instead referring to it as "nervousness."

"I make sure that she can communicate with me what is making her feel this way. Instead of pushing her to do something she isn't ready for, I encourage her in different ways," she shares.

While she notes that one day Paisley may "outgrow the social anxiety she feels," until then, Maygen will "continue to encourage her to try but not shame her if she still doesn't want to do things out of her comfort zone" — and she hopes other parents will do the same.

Although Paisley loves sports, she doesn't love the spotlight that comes with being on the baseball diamond or basketball court, so Maygen has "found other ways for her to be involved in things without being front and center," such as gymnastics and golf.

"When she gets nervous at the tee box or on the green, she communicates to us, and we just turn around so we aren't looking at her. Then she crushes it!"

While Maygen continues to find ways to push Paisley to try new things, she knows the elementary schooler "may never outgrow" her social anxiety, and "that is okay."

"I want to encourage her as much as I can so that she feels safe. If boundaries are what she needs, then I will accommodate her," the mother of one tells PEOPLE. "If she doesn't want everyone singing to her or if she does want it and then it becomes too overwhelming, like in the TikTok video, I'd do exactly what I did in the video and reassure her that I have her and she is safe."

Read the original article onPeople

Mom Captures Moment Her 5-Year-Old Daughter with Social Anxiety Sees Her at Birthday Party (Exclusive)

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Ten Years On, Beyoncé’s Yellow Revenge Dress Is Still a Masterpiece

"Hearst Magazines and AOL may earn commission or revenue on some items through these links."

Harper's Bazaar Fashion comparison featuring two individuals in yellow outfits.

I remember how I felt the first time I watched Beyoncé’s 2016 visual albumLemonade. I curled up alone in a chair in my bedroom about two feet from the TV (I moved closer after the first five minutes, wanting to be moreinit). I was rapt. I couldn’t remember a time when I felt so emotionally engrossed in a score of music. This was cathartic, radical, rebellious, romantic, political, and personal. I was watching a woman grapple with love and loss, with deceit, power games, and fame. It was also a masterpiece of modern fashion. Every fur coat, hoodie, Gucci monogram set, pinafore, and turn-of-the-century lace bodysuit said something important. This was the album that made “slay” go mainstream and Beyoncé’s clothes underscored that idea of embracing unbridled, unapologetic confidence.

“Hold Up,” a pop-reggae anthem on the album, is peak slay. AsLemonadeturns ten years old today, I keep coming back to the searingly glorious image of Beyoncé emerging from a flooded building, then skipping down the gritty, city sidewalk in platform heels while wielding a baseball bat, a big fat smile across her flawless face. She swings the bat around while prancing by bodegas and stoops, singing lines like “What a wicked way to treat the girl that loves you.” She smashes the windows of a car while belting out “You let a good love go to waste.” And she’s wearing a mustard-colored, tiered ruffle gown from Roberto Cavalli, its sheer wispy fabric swirling and whirling as she knocks off the top of a fire hydrant.

The dress (which became an instant meme, with fans calling it the ultimate revenge dress) was designed by Cavalli’s creative director at the time, Peter Dundas, who first showed it on the Fall 2016 runway in Milan. “She always transforms the clothes into something much bigger,” Dundas said over the phone last week. Now helming his own brand, Dundas, and doing some design consulting, he mentioned that he has been collaborating with Beyoncé since the early 2000s, but this moment felt particularly kismet. It was actually B. Akerlund, wife ofLemonadedirector Jonas Akerlund, who chose the yellow dress for “Hold Up.” As Dundas recalls, it was by chance that the inspiration behind his Fall 2016 collection fit within the realm of Beyoncé’s narrative for this particular song. “It was very much about the combination of these independent creatures,” he said. “We called the collection ‘The Witches.’ They were pagan, and they were strong and sensual, and there was this unapologetic femininity as well.”

Though much of the press and the Beyhive referred to the look as classically bohemian in style, Dundas still sees it a little bit differently. “When you think of bohemian, it’s also this emotional independence as well, which I think is really important. It’s about being unafraid of softness. That’s how I started the collection—thinking of almost this pagan spirit, independent from anything, but also with a power.” He added, “I think the dress possesses the same duality. It’s fluid and fragile, but it’s also very commanding, both because of the color and the volume.”

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milan, italy february 24 a model walks the runway at the roberto cavalli show during milan fashion week fallwinter 201617 on february 24, 2016 in milan, italy photo by victor boykogetty images

If Princess Diana got us talking aboutthe revenge dressin the ‘90s (hers was a slinky little black, off-the-shoulder dress designed by Christina Stambolian, and she clutched a prim black evening bag instead of a bat), we have Queen Bey to thank for making the concept go viral in the age of social media. Clips of that fluttery yellow frock have been hashtagged and regrammed millions of times over, often from women expressing rightful anger or frustration or celebrating a triumph. Kim Kardashian paid homage to the video in her showAll’s Fair, while a number of comedians have lovingly parodied the video. The October afterLemonadewas released, the Halloween season was packed with yellow dress costumes, wooden bats included.

The imagery of “Hold Up” captured something visceral and emotional about the revenge dress, something arguably more action-oriented than Princess Di’s photo op. That yellow gown physically flounced its way into the culture and the psyches of women everywhere because it said you stood by Beyoncé, but also yourself, no matter what. Has your partner cheated on you? Throw on a black bra, a glamorous see-through gown, big jewelry, and grab a heavy object. As Beyoncé sang, “Look in the mirror.” Let him know what’s up.

Beyond the dichotomy of the pretty silhouette and destructive accessory, the dress's color played a big role in the visual power of “Hold Up.” Yellow has long been a signature for Dundas, who says he’s always been drawn to the fact that “it’s solar, it’s positive, it’s strong.” He believes that it carries a distinct energy, one that feels and looks vibrant but has a softness to it as well. That combination matched Beyoncé’s free, unfiltered vibe in the video. “I think she’s always had this incredible ability to embody both vulnerability and power at the same time,” Dundas said. “And when that functions together with the clothes, that’s golden.” He added, “When you say it was a revenge dress, I think it was more about reclaiming power.”

So is Beyoncé’s yellow Roberto Cavalli dress the most powerful revenge dress of all time? No. It’s a slay.

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Andy Cohen Says “Summer House ”Season 10 Reunion Is One of the 'Most Intense' in the Hundreds He's Filmed

Andy Cohen hosted the Summer House season 10 reunion on Thursday, April 23

People Andy Cohen filming

NEED TO KNOW

  • After the taping concluded, he posted to Instagram Stories and called the reunion one of the "most intense" reunions he's ever hosted

  • The taping comes weeks after stars West Wilson and Amanda Batula confirmed their secret romance with a joint statement to their Instagram Stories on March 31.

Andy Cohencalls theSummer Houseseason 10 reunion one of the more "intense" reunions in Bravo history.

On Thursday, April 23, Bravo announced that theSummer Housecast was filming the reunion with Cohen as host.

Series starsWest WilsonandAmanda Batulaconfirmed theirsecret romancewith a joint statement to their Instagram Stories on March 31. Months earlier, Batula, 34, and estranged husbandKyle Cookeannounced their split after four years of marriage. Wilson, 28, previously dated Batula's close friend and their costarCiara Millerduring his first season in 2023 before they split that December.

After the April 23 taping ended, Cohen, 57, posted a video on his Instagram Stories, saying, "Well, I am walking out of theSummer Housereunion." He explained that, since hosting over 150 reunions—which he later corrected to over 200—that this was "one of the most intense ones we've ever shot."

Andy Cohen after filming

"This was a lot. This was a lot," Cohen said, before looking away from the camera and saying, "It was very intense, you guys."

"And every question was asked," he continued. "Every question was asked."

Summer HousestarJesse Solomonappeared on the Tuesday, April 21, episode ofWatch What Happens Live with Andy Cohen, whereCohen told Solomon, 32, "Y'all better get your timelines ready."

"I'll be prepared at the reunion," Solomon replied, later telling Cohen that he has "suspicions" about Wilson and Batula's romance.

"But I did not know until they made their joint statement,” Solomon shared. “They both denied it to my face, multiple times.”

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He also revealed that both he and Miller, 30, “were suspicious” leading up to the statement and that Miller had told him, “Just wait for the reunion.”

<i>Credit: Kareem Black/Bravo" style="max-width:100%; height:auto; border-radius:6px; margin:10px 0;" loading="lazy" />

Since Wilson and Batula's announcement, Miller has addressed the situation only sparingly. She firstshared her reactionto the news in a cover story withGlamour, published on April 17.

“It's one thing to experience hurt behind closed doors,” she explained. “To experience it so publicly is like another layer, and then to have to see what you thought was your life still play out in season 10. It's a major mindf---.”

"Just know when something's weird in your gut, there's a reason,” she said. “What's done in the dark always comes to light. And sometimes you really don't even have to do anything except sit back and let the universe handle it all.”

"Every day changes," Miller said. "It's like a weird flow of what you thought the past couple of years of your life looked like, and what you thought relationships were versus what they actually are. It's tricky. One of my friends was like, 'You're going to shed a lot [of friends] in your 30s, but that's to gain more clarity.' And damn, she was right."

Batula and Wilson have also made statements about the upcoming reunion. On April 10,Batula wrote on Instagramthat she would attend the reunion, where she will be addressing any and all questions honestly and directly.

During the Monday, April 20 episode of hisShow Me Somethingpodcast, Wilson said he intends to give some apologies "face to face" and "clear up all of the crazy s--- that's been on the internet" during the reunion.

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TheSummer Houseseason 10 reunion is scheduled to air on May 26 at 8 p.m. ET on Bravo and will be streaming the next day onPeacock.

Read the original article onPeople

Andy Cohen Says “Summer House ”Season 10 Reunion Is One of the 'Most Intense' in the Hundreds He's Filmed

Andy Cohen hosted the Summer House season 10 reunion on Thursday, April 23 NEED TO KNOW After the taping conclude...
Jennie’s Plunging, Burnished Top Plays With Form

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Harper's Bazaar Celebrity Sightings In New York City - April 23, 2026

WheneverJenniearrives, you know it’s going to be afashionable eveningto remember.

On Thursday night, alongside other stylish stars like Hailey Bieber, Hilary Duff, Anok Yai, Dakota Johnson, Zoe Saldaña, and more, theBlackpink memberattended theTime100 galaat Jazz at Lincoln Center, where she turned heads in a skin-baring sculptural look from Schiaparelli.

The 2026 TIME100 Gala

Her ensemble was pulled directly from the house’s Fall/Winter 2026 ready-to-wear collection by Daniel Roseberry, a show where many of the ensembles featured a burnished appearance, like they had been rubbed or brushed to create a lustrous gradient.

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Model walking on the runway in a fashion show

Here, that same effect was present on the pop star’s curvy top, which was like a stone-colored corset with two rounded arches forming the bust. At the waist of the body-hugging piece, a skinny black leather belt was added for a dressy touch.

The 2026 TIME100 Gala

Then, the bodice transformed into a short panel of sheer black material, which bared Jennie’s midriff, before meeting an inky velvet pencil skirt. To complement the stormy hues of her design, the “Mantra” singer slipped into a pair of pointy black pumps. Finally, she accessorized with large almond-shaped statement earrings from Swadesh, which were set with irregular diamonds like cuts of flagstone.

The 2026 TIME100 Gala

This year, Jennie was featured onTime Magazine’s list ofthe 100 most influential people in the world. In a statement, her peer and fellow pop singer Gracie Abrams wrote: “What makes Jennie a true star is that even in her quiet moments, she possesses the same kind of undeniable presence that cuts through all the noise, and she carries that with kindness and warmth. She is the type of person who will grab both your hands and squeeze them. She has a softness that only emphasizes her strength. I just love her.”

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